Gonzo Marketing:Winning Through Worst Practices The Bombast Transcripts: Rants and Screeds of RageBoy
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Saturday, November 17, 2001
The Bombast Transcripts: Rants & Screeds of RageBoy®
"In more ways than one," says the Amazon blurb, "Chris Locke has raised a godawful racket on the Net. Under his alter-egotistical nom de plume, RageBoy, and through his webzine, Entropy Gradient Reversals, he has entertained and enlightened thousands of readers from some of the world's largest companies, governments, and institutions -- including those from which he's managed to escape."

Take a wild guess who wrote that. I dunno, though. Maybe I should hire a decent PR outfit to flog this puppy. Right now it's in the shitter. Amazon Sales Rank: 873,201. Of course, it won't be out till January, so maybe that's not so bad. Who knows? Here's a clip from one of the bits called "Signs and Portents."

Awash in panic. Alone in my cabin in the high Rockies, I had clearly eaten too many of the innocuous looking little mushrooms, and now I was veering out of control, alarms triggering down every internal subsystem, neural klaxons going off like explosions, each calling for more adrenaline. Suddenly removed from the sky, white clouds, impossible summer sunshine, mountain air: all were mocking, distant, alien. Lost between heaven and earth, I was falling headlong into the wreckage I'd created of my life. Unable to hide, to beg forgiveness, to continue living.

I stumbled out from the cabin to my truck, testing just how self-conscious is was possible to be. Deeply embarrassed by the trees, so obviously belonging there unlike my stupid interloping self. What was I thinking to have come here, done this? And how would I survive the next eight hours? A meaningless temporal division in a life so abruptly terminated. More to distract from my patent doom than anything else, I slotted a tape into the deck and hit the play button, closed my eyes.

It took forever for anything to happen after that. Hell is for eternity, just as they say. Curious that Pat Metheny was in hell along with me, plus someone on vibes, a drummer heavy into cymbals, a piano. Maybe it was "As Falls Wichita, So Falls Wichita Falls"; that was the right year, 1981. The music began as random sound, unbearable, without purpose or direction. I thought to turn it off, but my hand was so far away it was not responding. More panic! I was paralyzed, gripped by iron bonds of aimless yet inevitable consequence. Nothing was worth doing. Yes, I could move my hand if I really wanted to, but why bother? What would it prove, cut off from the human race forever, sitting alone in some automotive contraption on the side of some random mountain in East Jesus Colorado, that I could turn a cassette tape player off? Nothing. I slipped deeper into whatever lethargy had stoned my heart and sapped my will and tried not to fear the fear any more than it seemed to be demanding as its due. I blanked and disappeared. Then back then gone again.

The noise of the music was all there was, and maddening interminable time. Because there was nothing else to do I found myself watching the notes unfurl. I remember noticing the stereo was much better than usual. As I blindly drifted closer, each bit of sound took on a shape, an iridescent color, almost a personality. They were moving against each other as if confused, searching for some better arrangement. Then, wait -- even though all was lost, though nothing mattered -- this was very nearly interesting. They were forming into patterns, then falling back apart. Hard to describe the constellation this created. It held yet shifted, twisted, flowed, like the edge of a Mandelbrot set, fractal recursion collapsing in on itself only to repeat, the same yet different on every iteration. Like rattlesnakes suddenly in fallen leaves. Because of this movement my vision was drawn to something larger that the local piece was just a part of, and in that moment the music shifted focus, dropped into gear and somehow opened to reveal a huge ring of synchronized diamond fire hanging in black space, beginning to turn, to glow, to become one whole and living, breathing mandala. Sharp edged, terrible, immediate, real. Beauty beyond all pain and sorrow. Not of myself or other either: original face.

Nothing left, I rode the music right on through forever and was almost thrown again when it began to slow and faded, finally ending. "Fifty- five..." someone called out matter-of-factly on the tape. And in the far background, "...let's do it again," then laughter. They know, I thought, amazed I hadn't seen it sooner. Skillful brothers and sisters always bring you through.

I opened the truck door and got out. The clouds had massed the sky and the wind come up. My eyes were liquid with ancient knowledge, and the world they took in was no longer outside. I opened my hands to the earth. I breathed and stretched, a certain animal once more. So good to be back.

...more...







4:04 PM | link |



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"RageBoy: Giving being fucking nuts a good name since 1985."
~D. Weinberger
28 October 2004

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Chris Locke's photos More of Chris Locke's photos

Until a minute ago, I had no photos. I still have no photos to speak of. I don't even have a camera. But all these people were linking to "my photos." It was embarassing. It's still embarassing. But I'm used to that.


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